Mention Books In Pursuance Of The Art of Murder
| Original Title: | Clara y la penumbra |
| ISBN: | 0349118833 (ISBN13: 9780349118833) |
| Edition Language: | English |
| Literary Awards: | Premio Fernando Lara de Novela (2001) |
José Carlos Somoza
Paperback | Pages: 480 pages Rating: 4.11 | 1109 Users | 124 Reviews
Point Of Books The Art of Murder
| Title | : | The Art of Murder |
| Author | : | José Carlos Somoza |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 480 pages |
| Published | : | June 2nd 2005 by Abacus (first published 2001) |
| Categories | : | Fiction. Mystery. Crime. Thriller. Art |
Narration Toward Books The Art of Murder
In 2006, the art world has moved far beyond sheep in formaldehyde and the most avant-garde movement is to use living people as artwork. Undergoing weeks of preparation to become 'canvases', the models are required to stay in their pose for ten to twelve hours a day and, as art pieces, they are also for sale. After being exhibited, the 'canvases' can be bought and taken to the purchaser's home, where they are rented for weeks or months.Many beautiful young men and women long to become a 'canvas' - knowing they are a masterpeice and worth millions seems to make all the sacrifices worthwhile - especially if they can be 'painted' by the celebrated artist Bruno Van Tysch. But there is a darker side to this art movement when it is found that the models/works of art are sometimes used in interactive works - snuff movies, where the 'art' is filmed being tortured and killed. Van Tysch's work is being targeted and the investigators must find the killer before the displays of imitations of Rembrandt's masterpieces - the biggest exhibition of 'hyperdramatic art' yet seen - is put on show.
Rating Of Books The Art of Murder
Ratings: 4.11 From 1109 Users | 124 ReviewsCriticize Of Books The Art of Murder
Sometimes an author does something really original. I think this is one of those cases. Whilst ostensibly a crime novel that description does not really fit the bill. What the author does is create a world that is quite different from our own in one very specific respect and this difference is fundamental to the story. A new art movement has led to models becoming the actual canvas on which a masterpiece is created. If a canvas is murdered then is the crime murder or the destruction of art. IsThis is an amazing thriller. The suspense builds up and the book gets darker and darker as it progresses. At the end I literally screamed out loud at one point because the suspense got too much for me. I've read all sorts in my time but I've never actually screamed at a book before. Luckily I was alone at home so I didn't get any strange looks from anyone. However this books also explores issues around modern art. How far could it go? What IS art? Who decides if something is art or not? I
Sleaze and soft porn about sums it up for me. I admit I couldnt bring myself to read the whole book the first hundred pages and bits of the middle and end. I felt like Mary Whitehouse remember her! So heres my rant:The idea of covering young attractive people, mainly female, with paint then requiring them to hold a pose without moving for 6 to 8 hours a day is interesting. Presumably it occurred to the author, seeing all the busking statues around city centres, painted and still. But in the
Beautiful, antagonizing, and inhuman... but it shows how far art can go
Wow.
A thoroughly dark book. The sense of chiaroscuro throughout is increasingly electric.The text itself is delightfully and sometimes frightfully imagistic, with painterly depictions - realistic, other times impressionist, expressionist or even surreally observed (and only coming into clear focus with time - as with misleading cinema edits). I read much of the book with the smell of oil paint firm in my mind (I painted in ochre for several days straight and the colour happens to recur frequently),
The artistic premise, people as material for art, is excellent. Intriguing, exciting, full of possibilities. Somoza treats them reasonably well: he plays on submission, body and mind, the search for the sublime, accepting the illusion of art, and smartly weaves danger in there. He also invents a whole art world to go with it that is just the right balance between slightly ridiculous, definitely daring and rather credible. If thematically top notch, the book struggles with itself with a big lack
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